![]() That’s why mysteries are called by so many names-crime, thrillers, whodunits, horror novels, PI novels, detective stories, cozy mysteries, police procedurals, etc. Once you have the right crime and the right question to answer, a mystery can morph into a rhizomatic entity that spreads outward from that question, reaching any genre the author wishes to play with. It also means a mystery can take place anywhere. This means a mystery can look like a horror novel, a thriller, an adventure narrative, or a science fiction story. For starters, anything can surround the unknown at the core of a mystery narrative. While there seem to be somewhat clear-cut instructions to writing a good mystery novel, the process is more complicated than performing literary sleight of hand. In other words, mystery fiction is the art of juggling the unknown and all of its answers in front of readers, all while making sure they become obsessed with the latter and only see the former when the time is right. They have to create a mystery, populate their story with believable characters, and then sustain the suspense while simultaneously giving readers clues and distracting them with the ever-so-tricky red herrings. To write a successful mystery, authors must perform literary magic tricks-which is to say literary sleight of hand. ![]() Mysteries are narratives in which the who, why, or how of an event, usually a murder or some other type of crime, remains unknown until the end and drives the story forward. Selecting the 50 best mysteries of all time is an impossible task.
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